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White Paper
RED Workows with Final Cut Pro X
Copyright © 2013 Apple Inc. All rights reserved.
Apple, the Apple logo, Final Cut, Final Cut Pro, QuickTime, and Xsan are trademarks of Apple Inc., registered in the U.S. and other
countries. R3D, RED, REDCINE, REDCINE-X, REDCINE-X PRO, REDCODE, and RED ROCKET are trademarks or registered trademarks
of Red.com, Inc. in the United States and other countries. The YouTube logo is a trademark of Google Inc. Other product and
company names mentioned herein may be trademarks of their respective companies. Mention of third-party products is for
informational purposes only and constitutes neither an endorsement nor a recommendation. Apple assumes no responsibility
with regard to the performance or use of these products. Product specications are subject to change without notice. 019-2600-A
December 2013
Final Cut Pro X version 10.1 oers some powerful workows with RED RAW les that
both simplify and speed up post-production. You can choose to work with the original
les or transcode in the background while editing in the foreground. And using
Apple ProRes for editing and R3D RAW les for color grading enables a highly exible
workow optimized for speed, quality, and creative control. This process also takes
advantage of the metadata and XML capabilities of Final Cut Pro X, which have been
designed for the future of le-based production. By using this document as a template
for working with RED and Final Cut Pro X, editors and post-production facilities can
further customize the process to suit their unique needs.
Conclusion
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