Apple Logic Express 7 Uživatelský manuál Strana 212
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Hodnocené. / 5. Na základě hodnocení zákazníků
212 Chapter 6 Logic’s Mixing Facilities
It is possible to combine pre-processing and monitoring with effects. You can, for
example, destructively record a signal with compression by inserting a compressor into
the respective input channel, while simultaneously monitoring the compressed input
signal with a reverb (inserted on the track channel) that is not recorded.
The Audio > Audio Hardware & Drivers > Software Monitoring preference must be
enabled if you wish to monitor/record with effects.
Input Object
The Input Object allows you to directly route and control signals from your audio
hardware’s input. Once an Audio Input Object is assigned to an audio channel, it can be
monitored and recorded directly into Logic, along with its effect plug-ins.
The signal is processed—inclusive of plug-inseven while Logic is stopped. In other
words: Input Objects behave just like external hardware processors. Bus sends can be
used pre or post-fader.
The Audio Input Objects can effectively replace your old mixing desk, or at least save
time while bouncing:
Audio Input Objects make the bouncing procedure much easier, as there’s no longer
any need to record the audio signal of your MIDI devices before bouncing (mixing
down) their output with the audio recordings. The live Audio Input Objects allow you
to mix down the audio signal from your external hardware MIDI synthesizers and
sound modules into a stereo mix (by bouncing an Output Object).
The Input Object features the following elements: Inserts, Bus Sends, Output,
Grouping, Automation, Pan, Level, and Level meter, Mute/Solo, Mono/Stereo.
Pre-Processing of Input Signals
Audio Input channels now process an incoming audio signal destructively: The input
signal is processed by plug-ins inserted into the input channel. This means that once an
Audio Input Object is assigned to an audio track, it can be recorded, and monitored,
with its effect plug-ins.
Example: To avoid large jumps in level, it is often useful to record a vocal track with
light compression. To do so; insert a compressor plug-in into the input channel and
assign the Input Object as the input source of an audio track. During recording, the
effect of the compressor is recorded with the track.
Note: To use the Audio Input Object as a “live input”, ensure that the Input Object has
an assigned Output. This allows monitoring of the Input Object (with all effects)
directly, without the need to assign it to a record-enabled audio channel.
- Logic Express 7 1
- Reference Manual 1
- Contents 3
- Logic Reference 9
- About This Manual 10
- Conventions of This Manual… 11
- Using Logic 13
- Input Options 14
- Numerical Input 15
- Tools and the Toolbox 16
- Selecting Tools 17
- The Tools 18
- Chapter 1 19
- Using Logic 19
- Help Tags 20
- Window Functions 21
- 22 Chapter 1 Using Logic 22
- Chapter 1 Using Logic 23 23
- 24 Chapter 1 Using Logic 24
- Window Elements 25
- Menu Handling 26
- Window Types 27
- Relationships Between Windows 28
- Chapter 1 Using Logic 29 29
- Screensets 30
- Chapter 1 Using Logic 31 31
- Edit Operations 32
- Selection Techniques 33
- Selecting Several Objects 34
- Opening Editors 35
- Control Output via MIDI 35
- Deleting Events 35
- Event and Note Quantization 35
- Key Commands 36
- Key Commands Window 37
- 38 Chapter 1 Using Logic 38
- Chapter 1 Using Logic 39 39
- 40 Chapter 1 Using Logic 40
- Chapter 1 Using Logic 41 41
- 42 Chapter 1 Using Logic 42
- Chapter 1 Using Logic 43 43
- Input via Screen Keyboard 45
- 46 Chapter 1 Using Logic 46
- Chapter 1 Using Logic 47 47
- 48 Chapter 1 Using Logic 48
- Caps Lock Keyboard 49
- 50 Chapter 1 Using Logic 50
- Song Administration 51
- 52 Chapter 1 Using Logic 52
- Chapter 1 Using Logic 53 53
- 54 Chapter 1 Using Logic 54
- Chapter 1 Using Logic 55 55
- About Templates 56
- Loading a Song 56
- Saving Songs 58
- Closing and Quitting 59
- Standard MIDI Files 60
- Saving Standard MIDI Files 61
- Apple Loops 62
- Chapter 1 Using Logic 63 63
- Apple Loops Utility 64
- Chapter 1 Using Logic 65 65
- 66 Chapter 1 Using Logic 66
- GarageBand File Import 67
- ReCycle Import 68
- Chapter 1 Using Logic 69 69
- OPEN TL Import 70
- Bouncing and POW-r Dithering 70
- Chapter 1 Using Logic 71 71
- Transport 73
- 74 Chapter 2 Transport 74
- Position Display 76
- Locators 76
- Tempo/Free Memory 77
- Time Signature and Division 77
- MIDI Monitor/Song End 78
- Transport Buttons 79
- 80 Chapter 2 Transport 80
- Mode Buttons 81
- The Bar Ruler 82
- Song Position Line 83
- Cycle Mode 84
- Defining the Cycle 85
- Recording 86
- Count-In 87
- Recording in Cycle Mode 87
- Autodrop 88
- Chase Events 89
- 90 Chapter 2 Transport 90
- Arrange Window 91
- Track Icons 94
- Selecting a Track 95
- Sorting Tracks 95
- Creating Tracks 95
- Deleting Tracks 96
- Naming Tracks 96
- Muting Tracks 97
- Soloing Tracks 98
- Track Button Slide Activation 98
- Selecting an Instrument 99
- Protecting Tracks 99
- Arrange Channel Strip 100
- MIDI Instruments 101
- The Instrument Parameters 102
- MIDI Regions 107
- Deleting MIDI Regions 108
- Drag Menu 108
- Moving Regions 109
- Copying Regions 109
- Using a Finer Grid 111
- Dividing MIDI Regions 112
- Merging MIDI Regions 113
- Demixing Regions 113
- Muting Regions 114
- Soloing Regions 114
- Naming a Region 115
- Special Functions 115
- Defaults and MIDI Thru 116
- Transpose 117
- Quantization 120
- Overview 122
- Working With Folders 123
- Unpacking Folders 124
- Creating an Alias 125
- Alias and Real Regions 125
- Time and Key Signature Editor 127
- Altering the Display 128
- Region Display 131
- Reset Functions 132
- Audio in the Arrange Window 133
- Editing Regions 135
- Erasing Regions 135
- Moving Audio Regions 137
- Changing Start and End Points 137
- Region Parameter Box 138
- The Region Anchor 139
- Audio Recording 141
- Punch-In Recording 143
- Pre-Programmed Drop-Record 143
- Audio Cycle Recording 144
- After Recording, Please Note… 144
- Functions 145
- Digital Mixdown 146
- When to Freeze a Track 148
- How to Freeze a Track 149
- Working With Frozen Tracks 150
- Freeze Files 151
- The Environment 153
- Basic Operation 154
- Special Selection Commands 158
- The MIDI Signal Path 159
- Multiple Cabling 161
- Environment Objects 162
- Standard Instrument 163
- Multi Instrument 165
- Multi Instrument Window 168
- Defining Custom Bank Selects 169
- Mapped Instrument 170
- GM Mixer Object 171
- Keyboard Object 172
- Monitor Object 173
- Channel Splitter Object 173
- Arpeggiator Object 174
- Delay Line Object 176
- MIDI Metronome Click 178
- Internal Objects 178
- Internal—ReWire 179
- MIDI Outs 180
- Audio Objects 180
- Faders—Overview 181
- Fader Operation 182
- Fader Styles 184
- Fader Functions: MIDI Events 186
- Fader Functions: Filter 188
- Environment Exchange 189
- Logic’s Mixing Facilities 191
- Audio Mixer 192
- Object Parameter Box 193
- Elements of the Audio Object 196
- Channel EQ 196
- In/Output 199
- Pan/Balance 200
- Solo/Mute 202
- Stereo Objects 203
- Track Arming 204
- Audio Object Types 211
- Input Object 212
- Audio Instrument Object 213
- Output Objects 215
- Bus Objects 216
- Auxiliary Object 217
- Track Mixer 218
- Display Modes 219
- Track Filter 219
- View Options 220
- Folders and the Track Mixer 220
- MIDI Channel Strips 221
- Controls 222
- Automation 225
- 226 Chapter 7 Automation 226
- Track Based Automation 227
- Automation Modes 228
- Chapter 7 Automation 229 229
- Writing Track Automation Data 230
- Chapter 7 Automation 231 231
- Region Based Automation 232
- Hyper Draw 233
- Hyper Draw Functions 234
- Activating Region Hyper Draw 235
- Conversion of Automation Data 236
- Chapter 7 Automation 237 237
- Global Tracks 239
- Creating Global Events 240
- Copying Global Events 241
- Deleting Global Events 241
- Tempo Track 242
- More About the Tempo Track 243
- Signature Track 244
- Transposition Track 245
- Video Track 247
- Audio Window 249
- 250 Chapter 9 Audio Window 250
- Zoom Functions 251
- The Mode Buttons 251
- 252 Chapter 9 Audio Window 252
- The Audio List 253
- 254 Chapter 9 Audio Window 254
- Overview Calculation 255
- Operation 256
- Edit Commands 257
- 258 Chapter 9 Audio Window 258
- Chapter 9 Audio Window 259 259
- File Administration 260
- Chapter 9 Audio Window 261 261
- Adding Audio Files 262
- Deleting Audio Files 263
- Further File Functions 264
- File Conversion and Exchange 265
- 266 Chapter 9 Audio Window 266
- Chapter 9 Audio Window 267 267
- Further Options 268
- Chapter 9 Audio Window 269 269
- Audio Drivers 271
- Audio Engine 274
- Sample Editor 275
- Waveform Overview 277
- The Detailed Waveform Display 278
- The Sample Edit Window in Use 280
- GoTo Commands 282
- Making Selections 282
- Search Zero Crossings 284
- Editing Commands 285
- Backup Copies 286
- Update Arrange Position 287
- Fade In/Out 289
- Invert/Reverse 289
- Remove DC Offset 290
- Search Peak/Silence 290
- Adjust Tempo… 290
- Digital Factory 291
- Time and Pitch Machine 292
- Audio Energizer 295
- Sample Rate Converter 296
- Event List 297
- 298 Chapter 12 Event List 298
- Chapter 12 Event List 299 299
- Event Editing 301
- Altering Values 301
- Event List Structure 302
- … on Arrange Level 304
- Event Type Structure 305
- Program Change Events 306
- Pitchbend Events 307
- Control Change Events 307
- Aftertouch Events 308
- Poly Pressure Events 308
- Tips for Numerical Input 309
- Event Float Window 310
- Hyper Editor 311
- Hyper Sets 312
- Event Definitions 313
- Creating Event Definitions 314
- Altering Event Values 320
- Adding Individual Events 321
- Matrix Editor 323
- Opening the Matrix Editor 324
- Pitch/Note Names 324
- Position 324
- Velocity 324
- Editing Notes 325
- Moving Notes 326
- Copying Notes 326
- Altering Length 326
- Altering Velocity 327
- Score Editor 329
- Notation Concept 332
- Staff Display… 333
- Aliases in the Score Display 333
- • Enharmonic changes 335
- General Appearance 336
- Other Options 338
- Printout 341
- Graphic Export 342
- Realtime MIDI Recording 343
- Step Input 343
- Mouse Input 344
- Insert Quantization 345
- • Nudge Position Up 347
- • Nudge Position Down 347
- • Nudge Position Left 347
- • Nudge Position Right 347
- The Part Box 348
- N-Tuplets 352
- Sustain Pedal Symbols 355
- Dynamic Symbols 356
- Note Heads 357
- Symbols Attached to Notes 357
- Jazz Symbols 358
- Slurs, Crescendi 359
- Key Signatures 361
- Time Signatures 362
- Repeat Signs and Bar Lines 364
- Trills, Tremolo, and so on 365
- Rests, Bar Repeat Signs 366
- Text Objects, Chord Symbols 367
- D.S., D.C., Segno, Coda Signs 368
- Tempo and Swing Symbols 368
- Move, Copy, and Paste 369
- Via the Clipboard 370
- Repeat Objects 371
- Editing With Tools 371
- • Event Transpose 372
- • Nudge Event Channel 372
- • Size of the font being used 373
- The Display Parameter Box 374
- Settings 375
- Name and Style 376
- Qua—Display Quantization 377
- Interpretation 378
- Syncopation 379
- No Overlap 379
- Score Styles 380
- Predefined Styles 382
- Working With Score Styles 382
- The Score Style Window 383
- Handling Score Styles 385
- Voice Separation Method 390
- Cross Staff Beaming 394
- Copying Voices or Staves 396
- Note Attributes 398
- Display Levels 401
- Instrument Sets 403
- The Instrument Set Window 404
- Full Score and Part Layout 407
- Line Breaks 408
- Local Margins 409
- Global Format 410
- • International: default 413
- Numbers & Names 414
- Clefs & Signatures 416
- • Every Staff 417
- • First Staff on Every Page 417
- • First Staff on Page 1 417
- • Hide All 417
- Extended Layout Parameters 418
- Guitar Tablature 419
- MIDI Meaning 422
- Score Preferences 423
- Text: Input and Display 425
- Text Input 427
- Editing Text 429
- Global Text 429
- Automatic Text Objects 430
- Chord Symbols 432
- Handling Chord Symbols 433
- Rhythm Section Parts 435
- The Transform Window 437
- Transformation 439
- Event Parameters 440
- Conditions 440
- Operations 442
- Parameter Sets 444
- Recalling Presets 445
- Display and Functions 447
- Tempo List Editor 448
- Chapter 17 Tempo 449 449
- Synchronization 451
- • 24 fps–24 fps 452
- • 25 fps–25 fps 452
- • 30 drop fps–29.97 drop fps 452
- • 30 fps–30 fps 452
- Synchronization Window 453
- • Deferred Play 457
- Bar Ruler—Time Ruler 459
- Sync Problems and Solutions 460
- 461 461
- 462 Chapter 19 Video 462
- Chapter 19 Video 463 463
- Song Settings and Preferences 465
- Song Settings 466
- Recording Settings 468
- Tuning Settings 469
- MIDI Settings 472
- • Note events 473
- • Program Change events 473
- • Pitch Bend events 473
- Preferences 476
- Audio Preferences 479
- MIDI Preferences 482
- Display Preferences 484
- Video Preferences 485
- Automation Preferences 486
- Control Surfaces Preferences 486
- Control Surface Support 487
- Installation 488
- The Install Window 489
- Setup Window Parameters 490
- Control Surface Preferences 495
- Customizing Control Surfaces 498
- Glossary 501
- 502 Glossary 502
- Glossary 503 503
- 504 Glossary 504
- Glossary 505 505
- 506 Glossary 506
- Glossary 507 507
- 508 Glossary 508
- Glossary 509 509
- 512 Index 512
- Index 513 513
- 514 Index 514
- Index 515 515
- 516 Index 516
- Index 517 517
- 518 Index 518
- Index 519 519
- 520 Index 520
- Index 521 521
- 522 Index 522
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