Apple Final Cut Express HD Uživatelský manuál stáhnout pdf (Strana 31)

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Chapter 1 About the Post-Production Workflow 31

Here is an overview of the basic Final Cut Express HD post-production workflow. As you

begin your project, remember that there are no hard and fast rules for editing. Different

editors have different working styles and, given the same source material, no two

editors will cut the same finished program. The workflow described here offers just one

example of how you might approach a typical project.

Distribution

Industry Workflow

Final Cut Express HD

Post-Production Workflow

Preproduction

Production

Post-Production

Planning

Setting Up

Logging

and Capturing

Editing

Mixing Audio

Adding Effects

Outputting

Scripting

1 2 ... 26 27 28 29 30 31 32 33 34 35 36 ... 114 115

Final Cut Express HD 1
User Manual 1
Contents 3
Part VI Rough Editing 7
8 Contents 8
Contents 9 9
10 Contents 10
Contents 11 11
12 Contents 12
Contents 13 13
Part VIII Audio Mixing 14
Contents 15 15
Part IX Effects 16
Contents 17 17
18 Contents 18
Contents 19 19
20 Contents 20
Part XII Output 21
22 Contents 22
Part XIII Appendixes 23
24 Contents 24
Documentation and Resources 25
Apple Websites 26
Part I: An Introduction 27
About the Post-Production 29
Workflow 29
The Post-Production Workflow 30
Video Formats and Timecode 35
Video Format Basics 36
What Are Media Files? 39
What Are Clips? 40
What Are Sequences? 41
What Are Projects? 42
Organizing Your Projects 44
Creating and Saving Projects 44
Opening and Closing Projects 46
To switch between 47
Filenaming Considerations 49
Avoiding Special Characters 50
Using Filename Extensions 51
Using Multiple Hard Disks 51
Part II: Learning About the 53
Overview of the 55
Using Button Bars 57
Using Shortcut Menus 58
Moving Windows 62
Undoing and Redoing Changes 63
Browser Basics 65
Learning About the Browser 66
Working in the Browser 67
Using Columns in the Browser 69
Choosing Views in the Browser 70
Thumbnails appear as 72
The thumbnail you’re 73
Enter the new 73
Thumbnails of 74
Video clip with audio 74
Audio clip 74
Before using the 76
Arrange command 76
After using the 76
Setting the Poster Frame 77
Viewer Basics 79
Opening a Clip in the Viewer 80
Chapter 6 Viewer Basics 81 81
Learning About the Viewer 82
Tabs in the Viewer 83
Filters Tab 84
Motion Tab 84
Controls Tab 84
Playhead Controls 85
Jog Control 86
Shuttle Control 86
Zoom and View Pop-Up Menus 88
View Pop-Up Menu 89
Recent Clips Pop-Up Menu 90
Generator Pop-Up Menu 90
Canvas Basics 91
Learning About the Canvas 93
Edit Overlay 95
Chapter 7 Canvas Basics 97 97
101 101
Playing Clips and Sequences 102
To move around, drag the 104
{ Moves through 105
“ Moves through 105
Looping Playback 107
Current Timecode field 108
Timecode Duration field 108
Dragging Timecode Values 110
Timeline Basics 111
Learning About the Timeline 114
Editing Controls 115
Vertical Multitrack Controls 116
Horizontal Time Controls 117
Zoom control 118
Timeline Display Controls 119
Audio Controls 120
Other Miscellaneous Controls 120
Speed change 121
Stereo pair indicator 121
Click here to view the 124
Track Layout pop-up 124
Audio waveform 125
Without audio 125
Pop-Up Menu 126
Navigating in the Timeline 127
Before zooming in 131
The playhead remains 131
After zooming in 131
Position of playhead 132
One-minute increment 132
Scroll bar 133
Customizing the Interface 135
Default Two Up layout 136
Layout after making the 136
Browser and Timeline 136
Using Screen Layouts 137
Choosing a Screen Layout 138
Customizing Screen Layouts 138
Removing Shortcut Buttons 141
Part III: Setting Up Your 143
Editing System 143
Connecting Your Equipment 145
What Is an Easy Setup? 146
Choosing an Easy Setup 147
What Is FireWire? 150
What Is Device Control? 151
Device status 152
Determining Your Hard Disk 153
Storage Options 153
Know Your Shooting Ratio 154
Choosing a Hard Disk 156
Types of Hard Disk Drives 157
FireWire Disk Drives 158
SCSI Disk Drives 159
Using a RAID or Disk Array 160
External Video Monitoring 161
FireWire 162
Chapter 16 Working With HDV 169
171 171
Transport Controls 174
Jog and Shuttle Controls 174
Marking Controls 175
Capture Tab 175
Logging Fields 176
Marker Controls 177
Using Slate Buttons 177
Preparing to Capture 178
Logging Your Tapes 179
Choosing a Filenaming Scheme 180
The slate icon appears 182
Enter the Out point 183
Enter the In point 183
Using Capture Now 185
Setting Markers 188
Recapturing Clips 189
Number on a Single Tape 196
Importing Media Files 199
Into Your Project 199
About Importing Video Files 203
About Importing Audio Files 204
Working With HDV 207
About MPEG-2 Compression 208
More About Long-GOP Video 209
HDV Format Specifications 214
Part V: Organizing Footage 217
Organizing Footage 219
Creating New Bins 220
Opening Bins in the Browser 221
Drag the bin’s tab above 224
The bin now has its own 224
Moving Items Between Bins 225
You can also move 226
About Search Options 228
Search Commands 230
Specify your 231
Then click here 231
A list of unused clips is 233
Results window 233
Using Markers 235
Types of Markers 237
Working With Markers 238
Add Marker button 239
Navigating With Markers 243
Moving a Marker 245
Enter the new time here 246
Extending a Marker’s Duration 248
Creating Subclips 251
Removing Subclip Limits 253
Turning Markers Into Subclips 254
Creating Subclips Manually 256
Editing With Subclips 256
Markers for a clip 257
All of the material 258
Part VI: Rough Editing 259
261 261
Working With Projects 262
Returning to Saved Projects 264
Types of Clips 265
Sequences as Clips 266
Finding a Clip’s Media File 268
270 Part VI Rough Editing 270
Opening and Closing Sequences 271
Duplicating a Sequence 272
Nesting a Sequence 273
When Rendering Is Required 274
The Fundamentals 275
276 Part VI Rough Editing 276
Undoing and Redoing Actions 278
280 Part VI Rough Editing 280
282 Part VI Rough Editing 282
Setting Edit Points 283
284 Part VI Rough Editing 284
The Out point includes 285
286 Part VI Rough Editing 286
Mark Out button (O) 287
Mark In button (I) 287
288 Part VI Rough Editing 288
Reviewing Your Edit Points 289
290 Part VI Rough Editing 290
292 Part VI Rough Editing 292
In point 293
The new clip begins at 293
294 Part VI Rough Editing 294
In and Out points are 295
The new clip’s duration is 295
296 Part VI Rough Editing 296
Move the playhead 297
Auto Select is enabled for 297
298 Part VI Rough Editing 298
Select the desired clips 299
300 Part VI Rough Editing 300
Moving In and Out Points 301
302 Part VI Rough Editing 302
Clearing In and Out Points 303
Working With Tracks 305
Adding Tracks 306
Deleting Tracks 308
Setting Destination Tracks 310
312 Part VI Rough Editing 312
314 Part VI Rough Editing 314
Resizing Timeline Tracks 316
Track Height control 317
318 Part VI Rough Editing 318
Drag the center slider 319
To eliminate audio tracks 319
Drag-to-Timeline Editing 321
322 Part VI Rough Editing 322
324 Part VI Rough Editing 324
326 Part VI Rough Editing 326
Three-Point Editing 329
330 Part VI Rough Editing 330
Using Keyboard Shortcuts 331
332 Part VI Rough Editing 332
Performing an Insert Edit 333
334 Part VI Rough Editing 334
Insert with Transition 335
Overlay in the Canvas 335
Performing an Overwrite Edit 336
338 Part VI Rough Editing 338
Performing a Replace Edit 339
340 Part VI Rough Editing 340
Replace section 341
342 Part VI Rough Editing 342
344 Part VI Rough Editing 344
Before a replace edit 345
After a replace edit 345
New clip replaces the 345
Superimposing Clips 346
Three-Point Editing Examples 348
Move the playhead to the 349
The new clip starts 349
350 Part VI Rough Editing 350
In and Out points 351
The new clip fills 351
352 Part VI Rough Editing 352
You can use this method 352
Into Your Sequence 353
354 Part VI Rough Editing 354
355 355
356 Part VI Rough Editing 356
358 Part VI Rough Editing 358
Selecting Clips 360
Drag to select the 361
Selecting Multiple Clips 362
364 Part VI Rough Editing 364
Select All Tracks Forward 365
Select All Tracks 365
Backward 365
366 Part VI Rough Editing 366
368 Part VI Rough Editing 368
370 Part VI Rough Editing 370
After deleting; only 371
Auto Select control 371
372 Part VI Rough Editing 372
373 373
374 Part VI Rough Editing 374
Moving by Dragging 375
Moving Clips Numerically 376
The number 377
Clip items to be moved 377
Clip Collision message 377
Performing Shuffle Edits 378
380 Part VI Rough Editing 380
382 Part VI Rough Editing 382
384 Part VI Rough Editing 384
Before edit 385
After edit 385
Selected clip 385
386 Part VI Rough Editing 386
Finding and Closing Gaps 387
388 Part VI Rough Editing 388
390 Part VI Rough Editing 390
Cutting Clips 391
392 Part VI Rough Editing 392
The Razor Blade All 393
394 Part VI Rough Editing 394
396 Part VI Rough Editing 396
Linking and Editing 397
Video and Audio in Sync 397
398 Part VI Rough Editing 398
Audio moved away 399
Audio moved back 399
400 Part VI Rough Editing 400
Linked Audio Items 401
402 Part VI Rough Editing 402
404 Part VI Rough Editing 404
Moving a Clip Into Sync 406
408 Part VI Rough Editing 408
Before syncing 409
After syncing 409
410 Part VI Rough Editing 410
Between Linked Clip Items 411
412 Part VI Rough Editing 412
Split Edits 415
416 Part VI Rough Editing 416
Chapter 30 Split Edits 417 417
418 Part VI Rough Editing 418
Chapter 30 Split Edits 419 419
420 Part VI Rough Editing 420
Split Edit Examples 421
422 Part VI Rough Editing 422
Chapter 30 Split Edits 423 423
424 Part VI Rough Editing 424
Audio Editing Basics 425
426 Part VI Rough Editing 426
Waveforms for a stereo 427
428 Part VI Rough Editing 428
430 Part VI Rough Editing 430
Editing Audio in the Viewer 431
432 Part VI Rough Editing 432
Zoom slider 433
434 Part VI Rough Editing 434
436 Part VI Rough Editing 436
Audio selected 437
Linked Selection 437
Editing Audio in the Timeline 438
440 Part VI Rough Editing 440
442 Part VI Rough Editing 442
444 Part VI Rough Editing 444
A wide playhead bar in 445
446 Part VI Rough Editing 446
The long pause in your 447
Paste the pause section 447
448 Part VI Rough Editing 448
450 Part VI Rough Editing 450
Sliding Clips in the Timeline 453
The timecode entry field 456
You slip items using 457
Drag point 458
Entire length of media 458
Performing Ripple Edits 462
These clips move left 465
This clip shortens 465
Roll edits are done 471
Selected edit point 472
Edit being rolled 473
After the roll edit, the 473
Tips for Using the Roll Tool 475
Learning About Trimming Clips 477
Click here to turn linked 479
Click here to turn 479
Selecting Single Edit Points 482
One edit per track is 483
Trimming Clips in the Viewer 486
Moving Clips Using Timecode 488
The clips move forward 489
Media Limit message 491
Trimming Clips 493
Using the Trim Edit Window 493
Outgoing clip 494
Incoming clip 494
Green bar 494
Go to Previous Edit 497
Go to Next Edit 497
Play Around Edit Loop 497
Play In to Out 497
Dynamic Trimming 501
Adding Transitions 507
Common Types of Transitions 508
A transition between 509
The center line 509
Having Handles at Edit Points 510
The added transition 512
Drag the transition to 516
Deleting Transitions 517
Enter the desired 518
Before a roll edit 519
After a roll edit with the 519
Replacing Transitions 520
Sequence Settings window 521
Refining Transitions 525
Using the Transition Editor 525
Alignment buttons 527
Recent Clips pop-up 527
Drag hand 527
Reverse Transition button 529
Reset button 530
Canvas to help you determine 534
Rendering Transitions 537
Sequence to Sequence Editing 539
4 Do one of the following: 541
Nesting Sequences 544
After the Nested Sequence 546
Without Nesting It 547
A highlighted area shows 550
Matching Frames 551
Working With Timecode 557
Clip Time Versus Source Time 558
Part VIII: Audio Mixing 559
Overview of Audio Mixing 561
562 Part VIII Audio Mixing 562
Cleaning Up Audio 564
Adding Audio Filters 564
Making the Final Mix 565
Adjusting Pan 566
Setting Up Audio Equipment 567
Choosing an Audio Interface 568
Flat Not flat 569
Amplifiers and Signal Levels 570
Using Headphones 571
About Balanced Audio Signals 572
Inverted signal 573
(inverted again) 573
Combined signals 573
(noise eliminated) 573
Audio Connectors 574
576 Part VIII Audio Mixing 576
578 Part VIII Audio Mixing 578
Audio Fundamentals 579
Fundamentals of a Sound Wave 580
Frequency Spectrum of Sounds 581
Measuring Sound Intensity 582
Decibel Units 583
Signal-to-Noise Ratio 584
Headroom and Distortion 584
Dynamic Range 585
Stereo Audio 586
Identifying Stereo Recordings 587
Digital Audio 588
Sample Rate 589
2 bit1 bit 591
16 bit4 bit 591
Audio Levels, Meters 593
594 Part VIII Audio Mixing 594
Analog Versus Digital Meters 595
What Does 0 dB Mean? 596
Avoiding Audio Clipping 597
Setting Proper Audio Levels 598
Stereo Versus Dual Mono Audio 600
Mixing Audio 601
602 Part VIII Audio Mixing 602
604 Part VIII Audio Mixing 604
606 Part VIII Audio Mixing 606
Panning Audio in the Timeline 607
608 Part VIII Audio Mixing 608
The pointer turns into an 609
Adjust Line Segment pointer 609
As you drag, a box displays 609
Tools for Adjusting Keyframes 610
Pen tool 611
612 Part VIII Audio Mixing 612
Adjust Line Segment 613
Keyframe being moved 613
614 Part VIII Audio Mixing 614
616 Part VIII Audio Mixing 616
Lowered levels 617
Adjust the slope of 617
618 Part VIII Audio Mixing 618
The problem samples 619
The overlay looks 619
620 Part VIII Audio Mixing 620
Using the Voice Over Tool 623
624 Part VIII Audio Mixing 624
Microphone 625
USB audio 625
PowerBook 625
Headphones 625
626 Part VIII Audio Mixing 626
628 Part VIII Audio Mixing 628
630 Part VIII Audio Mixing 630
632 Part VIII Audio Mixing 632
634 Part VIII Audio Mixing 634
The newly recorded 635
Recording a Voiceover 636
Recording Multiple Takes 637
638 Part VIII Audio Mixing 638
Using Audio Filters 639
Overview of Audio Filters 640
Compression 642
Expansion 643
Noise Reduction Filters 644
Echo and Reverb Filters 645
646 Part VIII Audio Mixing 646
Working With Audio Filters 647
648 Part VIII Audio Mixing 648
Select several filters 649
...then drag them to the 649
Timeline 649
650 Part VIII Audio Mixing 650
652 Part VIII Audio Mixing 652
Tips for Better Audio 653
Tips for Cutting Dialogue 654
Shows how you can 655
656 Part VIII Audio Mixing 656
Tips for Cutting Music 658
Instead of placing audio 659
... do this 659
Organizing Your Tracks 660
Part IX: Effects 661
Video Filters 663
Applying a Filter to a Clip 664
Drag the filter from 665
... to a clip in the 665
666 Part IX Effects 666
Select multiple filters 667
Then, drag the filters to 667
668 Part IX Effects 668
Using Filter Controls 669
670 Part IX Effects 670
Angle control 671
672 Part IX Effects 672
Filter bar for a video track 673
Clip Keyframes button 673
674 Part IX Effects 674
Removing Filters From Clips 675
Blur Filters 676
Border Filters 676
Channel Filters 677
Color Correction Filters 677
Distort Filters 678
Image Control Filters 679
Key Filters 680
Matte Filters 682
Perspective Filters 684
Sharpen Filters 684
Stylize Filters 685
Changing Motion Parameters 689
690 Part IX Effects 690
Some parameters must 691
Motion Blur parameters 691
Drop Shadow parameters 691
Controls in the Motion Tab 692
694 Part IX Effects 694
Canvas center point 695
-360 pixels +360 pixels 695
-240 pixels 695
+240 pixels 695
696 Part IX Effects 696
Initial background layer 697
Sequence In and 697
Out points 697
698 Part IX Effects 698
700 Part IX Effects 700
702 Part IX Effects 702
704 Part IX Effects 704
706 Part IX Effects 706
Choosing a Wireframe Mode 707
708 Part IX Effects 708
Zooming In to the Canvas 709
710 Part IX Effects 710
712 Part IX Effects 712
714 Part IX Effects 714
716 Part IX Effects 716
Use the Distort tool to 717
Adjusting Parameters 719
How Keyframing Works 720
Keyframe 2 721
Keyframe 1 721
Keyframe 3 721
722 Part IX Effects 722
Setting Keyframes 723
724 Part IX Effects 724
Moving Between Keyframes 725
726 Part IX Effects 726
728 Part IX Effects 728
Layer the clips, with one 729
730 Part IX Effects 730
732 Part IX Effects 732
Smoothing Keyframes 734
What Are Motion Paths? 735
Creating Motion Paths 736
With the Selection tool 737
738 Part IX Effects 738
740 Part IX Effects 740
742 Part IX Effects 742
The pointer changes 743
Reusing Effect 745
746 Part IX Effects 746
748 Part IX Effects 748
Auto Select controls 749
Changing Clip Speed 751
Performing a Fit to Fill Edit 752
DBefore edit 753
754 Part IX Effects 754
Speed Settings 755
756 Part IX Effects 756
Making Speed Changes 757
Working With Still Images 759
760 Part IX Effects 760
762 Part IX Effects 762
Video Is Not 72 Dots per Inch 763
764 Part IX Effects 764
766 Part IX Effects 766
Using Alpha Channels 767
768 Part IX Effects 768
Enter a new duration in 769
770 Part IX Effects 770
772 Part IX Effects 772
Compositing and Layering 775
Methods of Compositing 776
Opacity is used to blend 777
778 Part IX Effects 778
Working With Composite Modes 780
782 Part IX Effects 782
Subtract 784
Difference 784
Multiply 785
786 Part IX Effects 786
Hard Light 788
Soft Light 789
790 Part IX Effects 790
Travel Matte - Alpha 791
Travel Matte - Luma 792
794 Part IX Effects 794
796 Part IX Effects 796
798 Part IX Effects 798
800 Part IX Effects 800
Dark areas are 801
White areas are solid 801
802 Part IX Effects 802
804 Part IX Effects 804
Keying, Mattes, and Masks 805
806 Part IX Effects 806
808 Part IX Effects 808
Use Proper Lighting 809
810 Part IX Effects 810
812 Part IX Effects 812
814 Part IX Effects 814
816 Part IX Effects 816
818 Part IX Effects 818
820 Part IX Effects 820
The background image now 821
The background image is 821
822 Part IX Effects 822
824 Part IX Effects 824
826 Part IX Effects 826
Color Correcting Clips 827
828 Part IX Effects 828
Luma (Luminance) 830
Chrominance (Chroma) 831
Illegal Broadcast Levels 832
The Color Correction Process 833
834 Part IX Effects 834
Looking at the Picture 835
836 Part IX Effects 836
The Color Corrector Filter 837
838 Part IX Effects 838
Level sliders 839
Auto Black Level button 839
Saturation control 839
Auto White Level button 839
Auto Contrast button 839
840 Part IX Effects 840
842 Part IX Effects 842
The balance control 843
After color correction 843
Before color correction 843
844 Part IX Effects 844
Hue Matching Controls 845
846 Part IX Effects 846
Click a highlight 847
Click the Whites Select 847
Auto-balance Color 847
848 Part IX Effects 848
What Is a Generator Clip? 849
850 Part IX Effects 850
Some generators 853
854 Part IX Effects 854
Creating Titles 855
Installing and Choosing Fonts 856
860 Part IX Effects 860
862 Part IX Effects 862
Chapter 59 Using RT Extreme 863
Chapter 60 Rendering 863
Using RT Extreme 865
About Safe Real-Time Playback 867
Orange video render bars 868
Available Real-Time Effects 870
About Render Status Bars 872
Real-Time Effects 873
Rendering 877
Reasons for Rendering 878
Chapter 60 Rendering 879 879
Video Render Status Bars 880
Audio Render Status Bars 881
About Item-Level Render Bars 882
The Rendering Process 883
Chapter 60 Rendering 885 885
Chapter 60 Rendering 887 887
Rendering Part of a Sequence 888
Using the Mixdown Command 889
This message appears in 890
Chapter 60 Rendering 891 891
Preserving Render Files 893
Reducing Render Time 895
Part XI: Project Management 897
Media Management 899
Reasons to Manage your Media 900
Backing Up 903
Using the Autosave Feature 904
ProjectName_MM-DD-YY_HHMM 905
Restoring Autosaved Projects 906
Archiving Completed Projects 907
Click here to update 909
Elements of a 911
Final Cut Express HD Project 911
Sequences 914
Clip Properties 916
Master and Affiliate Clips 921
Identifying Master Clips 922
Independent Clips 926
Relationships 928
Finding a Clip’s Master Clip 929
Master Clip Properties 930
Affiliate Clip Properties 931
Media File Properties 931
Reconnecting Clips 933
Can Be Broken 934
Select the files you 939
You can select which 943
Choosing Settings 945
General Tab 946
Editing Tab 950
Timeline Options Tab 951
Changing System Settings 952
Scratch Disks Tab 953
Search Folders Tab 953
Missing Search Folders 954
Memory & Cache Tab 955
Playback Control Tab 956
External Editors Tab 957
The path is shown 958
Part XII: Output 959
Preparing to Output to Tape 961
962 Part XII Output 962
Selecting Preferences 963
Cueing the Videotape 963
Printing To Video and Output 965
From the Timeline 965
Printing to Video 966
Recording From the Timeline 968
Move the playhead where you 969
Outputting to VHS Tape 970
Exporting Sequences for DVD 971
Video for Standard DVDs 972
About the MPEG Format 973
Audio for iDVD Projects 974
More About Chapter Markers 975
976 Part XII Output 976
Learning About QuickTime 979
QuickTime for Media Authoring 980
Codecs Supported in QuickTime 981
982 Part XII Output 982
Export, and Capture 983
Movie File Formats 984
986 Part XII Output 986
Audio File Formats 988
990 Part XII Output 990
Exporting QuickTime Movies 991
992 Part XII Output 992
994 Part XII Output 994
995 995
996 Part XII Output 996
998 Part XII Output 998
1000 Part XII Output 1000
1002 Part XII Output 1002
1004 Part XII Output 1004
Exporting a DV Stream 1005
1006 Part XII Output 1006
Exporting an AVI File 1007
1008 Part XII Output 1008
Exporting Still Images 1009
1010 Part XII Output 1010
Exporting Image Sequences 1012
Exporting Audio for 1015
Mixing in Other Applications 1015
1016 Part XII Output 1016
1018 Part XII Output 1018
1020 Part XII Output 1020
All other tracks are 1021
Make sure just the 1021
1022 Part XII Output 1022
Part XIII: Appendixes 1023
Video Formats 1025
Storage Medium 1026
Video Standards 1027
Type of Video Signal 1028
; R-Y, B-Y; or U,V 1029
1030 Part XIII Appendixes 1030
Pixel Aspect Ratio 1033
Frame Rate 1034
Scanning Method 1035
About Progressive Scanning 1036
About Field Dominance 1036
Color Recording Method 1037
Color Sampling Ratio 1038
Bit Depth 1039
Video Compression 1040
Lossy Codecs 1041
Uncompressed Video 1041
Composite 1042
Component YUV (Y´C 1043
) and Component RGB 1043
1044 Part XIII Appendixes 1044
Frame Rate and Timecode 1047
Persistence of Vision 1048
Choosing a Frame Rate 1050
01:32:15:28 1052
Timecode on Tape 1055
Working With 1059
Anamorphic 16:9 Media 1059
1060 Part XIII Appendixes 1060
About Letterboxing 1061
Why Shoot 16:9 Video? 1062
Recording Anamorphic Video 1063
Capturing Anamorphic Media 1064
1066 Part XIII Appendixes 1066
1068 Part XIII Appendixes 1068
Solving Common Problems 1069
Solutions to Common Problems 1070
1072 Part XIII Appendixes 1072
General Performance Issues 1074
Problems With Audio Quality 1074
Contacting AppleCare Support 1075
Glossary 1077
1078 Glossary 1078
Glossary 1079 1079
1080 Glossary 1080
Glossary 1081 1081
1082 Glossary 1082
Glossary 1083 1083
1084 Glossary 1084
Glossary 1085 1085
1086 Glossary 1086
Glossary 1087 1087
1088 Glossary 1088
Glossary 1089 1089
1090 Glossary 1090
1092 Glossary 1092
Glossary 1093 1093
1094 Glossary 1094
Glossary 1095 1095
1096 Glossary 1096
Glossary 1097 1097
1098 Glossary 1098
Glossary 1099 1099
1100 Glossary 1100
Glossary 1101 1101
1102 Glossary 1102
Glossary 1103 1103
1104 Glossary 1104
Glossary 1105 1105
1107 1107
1108 Index 1108
Index 1109 1109
1110 Index 1110
1112 Index 1112
Index 1113 1113
1114 Index 1114
Index 1115 1115
Index 1117 1117
1118 Index 1118
Index 1119 1119
1120 Index 1120
Index 1121 1121
1122 Index 1122
Index 1123 1123
1124 Index 1124
Index 1125 1125
1126 Index 1126
Index 1127 1127
1128 Index 1128
1130 Index 1130
Index 1133 1133
1134 Index 1134
Index 1135 1135
1136 Index 1136
Index 1137 1137
1138 Index 1138
Index 1139 1139
1140 Index 1140
Index 1141 1141
1142 Index 1142
Index 1143 1143
1144 Index 1144
Index 1145 1145
1146 Index 1146
Index 1147 1147
1148 Index 1148
Index 1149 1149
Index 1151 1151
1152 Index 1152
Index 1153 1153

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