Apple Final Cut Studio Specifikace Strana 82
- Strana / 116
- Tabulka s obsahem
- KNIHY
Hodnocené. / 5. Na základě hodnocení zákazníků
• If you click No: The settings of the sequence that Color sends back to Final Cut Pro are
identical to those of the sequence that was originally sent to Color, but the codec used
by the clips doesn’t match that of the sequence, and the scale and aspect ratio of the
rendered clips change to fit the original frame size. All clips conform to the original
frame size, but clips that were rendered by Color may also need to be rendered in
Final Cut Pro because their Scale and Aspect Ratio parameters are altered.
What happens to clips if you manually change the project resolution in Color?
A change to project resolution may happen if you’re working with 2K or 4K native RED
QuickTime or DPX media, and you decide to change the project to an SD or HD resolution
so you can send it back to Final Cut Pro for video output. Whenever you manually change
a Color project’s resolution, a dialog appears asking if you want Color to automatically
scale your clips to the new resolution.
• If you click Yes: Every clip’s Scale parameter is changed automatically in the Pan & Scan
tab of the Geometry room to conform to the new resolution, letterboxing or pillarboxing
clips as necessary to avoid cropping.
• If you click No: The Scale parameter of each clip is unchanged, but the image may be
cropped if the new resolution is smaller than the previous resolution.
How is media rendered in Color if the project resolution changes?
Whenever a Color project’s resolution preset is changed to a different frame size, the
effect on the final media that’s rendered depends on what kind of source media you’re
using.
• If you’re rendering QuickTime media: Each shot in your project is rendered at the frame
size of the original source media. The new resolution preset you choose affects only
the resolution of the sequence that is sent back to Final Cut Pro. Each clip’s Pan & Scan
settings are converted to Motion tab settings when the project is sent back to
Final Cut Pro.
• If your project uses 4K native RED QuickTime media: If your project uses 4K native RED
QuickTime media, each shot in your project is rendered at the new resolution you’ve
specified. Any Pan & Scan tab adjustments you’ve made are also “baked” into the final
media. (2K native RED QuickTime media is rendered in the same way as other QuickTime
media.)
Color Correction
Color correction (or grading) is the process of making adjustments to the color and
contrast of the shots in your program in order to:
• Fix problem clips that may be too bright or too dark, or that have improper color
• Even out the color and contrast of each of the shots in a scene so they all look as if
they occur in the same place at the same time
82 Chapter 5 Finishing
- Final Cut Studio 1
- Contents 3
- 4 Contents 4
- Introduction 5
- Additional Resources 6
- 7Preface Introduction 7
- Developing a Post-Production 9
- Strategy 9
- Types of Overall Workflows 14
- Ingesting and Organizing Your 27
- Ingesting Tapeless Media 32
- Ingesting Tape-Based Media 33
- Ingesting Audio 41
- Integration During Editorial 49
- Development 49
- Logic Studio 59
- Client Review 61
- Local Review Methods 62
- Remote Review Methods 63
- 64 Chapter 4 Client Review 64
- Finishing 65
- What Is Finishing? 66
- 67Chapter 5 Finishing 67
- 68 Chapter 5 Finishing 68
- 69Chapter 5 Finishing 69
- 70 Chapter 5 Finishing 70
- 71Chapter 5 Finishing 71
- Reconforming Tapeless Media 72
- 73Chapter 5 Finishing 73
- Reconforming Tape-Based Media 74
- 75Chapter 5 Finishing 75
- 76 Chapter 5 Finishing 76
- 77Chapter 5 Finishing 77
- 78 Chapter 5 Finishing 78
- 79Chapter 5 Finishing 79
- 80 Chapter 5 Finishing 80
- 81Chapter 5 Finishing 81
- Color Correction 82
- 83Chapter 5 Finishing 83
- 84 Chapter 5 Finishing 84
- 85Chapter 5 Finishing 85
- Sending a Project to Color 86
- 87Chapter 5 Finishing 87
- 88 Chapter 5 Finishing 88
- 89Chapter 5 Finishing 89
- 90 Chapter 5 Finishing 90
- 91Chapter 5 Finishing 91
- 92 Chapter 5 Finishing 92
- 93Chapter 5 Finishing 93
- 94 Chapter 5 Finishing 94
- 95Chapter 5 Finishing 95
- 96 Chapter 5 Finishing 96
- Mastering 97
- 98 Chapter 6 Mastering 98
- Format Conversion 99
- 100 Chapter 6 Mastering 100
- Handling Closed Captioning 101
- 102 Chapter 6 Mastering 102
- Handling Subtitles 103
- 104 Chapter 6 Mastering 104
- Delivering Audio 105
- 106 Chapter 6 Mastering 106
- 107Chapter 6 Mastering 107
- 108 Chapter 6 Mastering 108
- Output and Delivery 109
- Creating Blu-ray Discs 111
- Exporting Movies for the Web 111
- Printing to Film 113
- Digital Cinema Mastering 114
- Doing a Negative Conform 115
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LG 42LB550A manuali
Manuali dei proprietari e guide per l'utente per TV a cristalli liquidi LG 42LB550A.
We fornisce 3 manuali pdf LG 42LB550A per scaricare gratuitamente in base al tipo di documento: Manuale Utente
Indice
LICENSES
3
CAUTION
18
ANTENNA /
23
CABLE IN
23
WATCHING TV
26
Input List
30
Set audio
35
VOD Guide
39
TELETEXT
47
MAINTENANCE
49
DEVICE SETUP
55
KEY CODES
56
0 0 1 0 1
63
Indice
LICENSES
3
CAUTION
17
/ CABLE IN
25
SERVICE ONLY
25
AUDIO OUT
26
RGB OUT(PC)
26
WATCHING TV
29
Input List
33
Set audio
38
VOD Guide
42
TELETEXT
51
MAINTENANCE
53
DEVICE SETUP
61
KEY CODES
62
0 0 1 0 1
69
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