Apple Final Cut Studio Specifikace Strana 92
- Strana / 116
- Tabulka s obsahem
- KNIHY
Hodnocené. / 5. Na základě hodnocení zákazníků
Organize audio clips into tracks according to their type
Audio editing and mixing is a lot easier if you organize the audio clips in an edited
sequence into multiple tracks, based on their type. For example, it’s common to put all
sync-sound dialogue clips into one group of tracks (some editors put each actor’s dialogue
into a separate track), background ambience in another group of tracks, sound effects in
another group of tracks, and music in a different group of tracks. Useful track categories
include:
• Dialogue
• Voiceover
• Music
• Ambience
• Sound effects
Put a one-frame video flash and audio beep before the beginning and after the end
of your sequence
As an aid to checking and maintaining program sync, it’s helpful to use a one-frame 2-pop
(named after the sync beep that occurs at the number 2 of a countdown reel). The beeps
travel with the audio that you send to Soundtrack Pro (or a third-party digital audio
workstation, or DAW). When you bring your final mix back into Final Cut Pro, you can use
the first pop to line up the mixed audio with the flash frames in the sequence; the last
pop confirms whether or not your sync is good for the entire duration of the mix.
If necessary, divide your program into reels
It’s common, but not always necessary, to divide long-form programs into reels. For
example, if the program’s audio will be exported as Open Media Framework (OMF) files
for delivery to a mixing facility, and the program contains many high-resolution audio
clips, you might need to follow this strategy because OMF files have a 2 GB file size limit.
Dividing your program into reels can also serve an organizational purpose, because
program reels that are considered finished and locked can be moved down the
post-production pipeline to sound design and color correction, while others can continue
to be edited.
Audio Finishing Using Final Cut Pro
Final Cut Pro has many features that support high-quality audio editing and mixing,
including subframe keyframing and syncing, per-clip level and pan controls, automated
mixing using control surfaces, and audio filters for common tasks such as equalization
and compression. One advantage of finishing your audio inside Final Cut Pro is that you
don’t have to do a roundtrip between Final Cut Pro and Soundtrack Pro. You can simply
continue working in the Timeline, and when you finish with the audio, you’re ready to
render and output your program.
92 Chapter 5 Finishing
- Final Cut Studio 1
- Contents 3
- 4 Contents 4
- Introduction 5
- Additional Resources 6
- 7Preface Introduction 7
- Developing a Post-Production 9
- Strategy 9
- Types of Overall Workflows 14
- Ingesting and Organizing Your 27
- Ingesting Tapeless Media 32
- Ingesting Tape-Based Media 33
- Ingesting Audio 41
- Integration During Editorial 49
- Development 49
- Logic Studio 59
- Client Review 61
- Local Review Methods 62
- Remote Review Methods 63
- 64 Chapter 4 Client Review 64
- Finishing 65
- What Is Finishing? 66
- 67Chapter 5 Finishing 67
- 68 Chapter 5 Finishing 68
- 69Chapter 5 Finishing 69
- 70 Chapter 5 Finishing 70
- 71Chapter 5 Finishing 71
- Reconforming Tapeless Media 72
- 73Chapter 5 Finishing 73
- Reconforming Tape-Based Media 74
- 75Chapter 5 Finishing 75
- 76 Chapter 5 Finishing 76
- 77Chapter 5 Finishing 77
- 78 Chapter 5 Finishing 78
- 79Chapter 5 Finishing 79
- 80 Chapter 5 Finishing 80
- 81Chapter 5 Finishing 81
- Color Correction 82
- 83Chapter 5 Finishing 83
- 84 Chapter 5 Finishing 84
- 85Chapter 5 Finishing 85
- Sending a Project to Color 86
- 87Chapter 5 Finishing 87
- 88 Chapter 5 Finishing 88
- 89Chapter 5 Finishing 89
- 90 Chapter 5 Finishing 90
- 91Chapter 5 Finishing 91
- 92 Chapter 5 Finishing 92
- 93Chapter 5 Finishing 93
- 94 Chapter 5 Finishing 94
- 95Chapter 5 Finishing 95
- 96 Chapter 5 Finishing 96
- Mastering 97
- 98 Chapter 6 Mastering 98
- Format Conversion 99
- 100 Chapter 6 Mastering 100
- Handling Closed Captioning 101
- 102 Chapter 6 Mastering 102
- Handling Subtitles 103
- 104 Chapter 6 Mastering 104
- Delivering Audio 105
- 106 Chapter 6 Mastering 106
- 107Chapter 6 Mastering 107
- 108 Chapter 6 Mastering 108
- Output and Delivery 109
- Creating Blu-ray Discs 111
- Exporting Movies for the Web 111
- Printing to Film 113
- Digital Cinema Mastering 114
- Doing a Negative Conform 115
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LG 42LB550A manuali
Manuali dei proprietari e guide per l'utente per TV a cristalli liquidi LG 42LB550A.
We fornisce 3 manuali pdf LG 42LB550A per scaricare gratuitamente in base al tipo di documento: Manuale Utente
Indice
LICENSES
3
CAUTION
18
ANTENNA /
23
CABLE IN
23
WATCHING TV
26
Input List
30
Set audio
35
VOD Guide
39
TELETEXT
47
MAINTENANCE
49
DEVICE SETUP
55
KEY CODES
56
0 0 1 0 1
63
Indice
LICENSES
3
CAUTION
17
/ CABLE IN
25
SERVICE ONLY
25
AUDIO OUT
26
RGB OUT(PC)
26
WATCHING TV
29
Input List
33
Set audio
38
VOD Guide
42
TELETEXT
51
MAINTENANCE
53
DEVICE SETUP
61
KEY CODES
62
0 0 1 0 1
69
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